Sources: Brian McLaren, A New Kind of Christian (2001); Rob Bell, Velvet Elvis (2005); Tony Jones, The New Christians (2008); Dan Kimball, The Emerging Church (2003).

The Emergent/Emerging Church movement (~2000 AD) is a postmodern Christian conversation that questions the cultural forms, certainties, and institutional structures of evangelical Christianity without necessarily abandoning core theological commitments. Not a denomination but a networked conversation, its key concerns: (1) Epistemological humility — rejecting the modernist confidence that doctrine can be systematically and exhaustively articulated; embracing “generous orthodoxy” (McLaren’s phrase) and uncertainty on peripheral (and sometimes central) matters; (2) Cultural engagement — taking seriously the shift to postmodernity and asking how Christian community and practice should look in that context; (3) Ancient-future — retrieving pre-Reformation practices (liturgy, contemplative prayer, the church calendar, embodied worship) for contemporary use; (4) Social justice — reintegrating concern for poverty, environment, and justice with evangelical spirituality; (5) Deconstruction — many participants have “deconstructed” their evangelical faith and moved toward liberal Protestant, Catholic, Orthodox, or post-Christian positions. The movement’s theological diversity became its defining feature and eventual fragmentation: “emerging” (keeping evangelicalism’s theological core while changing its cultural expression) vs “emergent” (revising the theological core itself). Rob Bell’s Love Wins (2011) — questioning hell’s eternal nature — crystallized the theological fault lines. The conversation has largely dissolved into the broader “exvangelical” and “deconstruction” cultural phenomena.